Ann Shelton
“The consequences of the suppression and attempted erasure of plant-based belief systems continue to be profound.” – Ann Shelton
Ann Shelton is one of Aotearoa New Zealand’s foremost photographic artists. Across a career spanning more than two decades, her work has explored narratives that sit at the edges of dominant histories—unearthing overlooked, contested, and often erased knowledge. Her practice weaves together visual storytelling and rigorous research, engaging deeply with histories of gender, science, and the natural world.
Shelton’s recent photographic series have investigated the intersection of plant knowledge, reproductive politics, and the suppression of botanical histories. In jane says (2015–ongoing), she carefully arranges plants historically used for fertility regulation, contraception, and abortion into meticulously constructed ikebana compositions. These works highlight the knowledge systems that have long been held and shared by women, yet have been systematically erased, dismissed, or criminalized. Her ongoing project i am an old phenomenon expands on these inquiries, exploring how the professionalization of botany and the rise of Western medical institutions displaced traditional understandings of plant medicine.
Shelton’s photographic practice engages with what scholar Donna West Brett describes as an “aesthetics of displacement,” working within a feminist methodology that examines the power structures embedded in knowledge production. Her lush, highly detailed images challenge the historical suppression of plant-based medicine and the cultural frameworks that have shaped contemporary reproductive politics. By revisiting and reactivating these histories, Shelton’s work provides an urgent and poetic meditation on the relationship between people, plants, and power.
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Once upon a time forest floor (Elder, Black Elder, Boor Tree, Elderberry, Elder Bush, Pipe Tree, European Elderberry, Bour Tree, Hylder, Hylantree, Eldrum, Hollunder, Su- reau, Hildemoer, Lady Ellhorn, Sweet Elder), 2022 ongoingView more details
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She consolidates wounds (goldenrod, solidago, wound weed, heathen woundwort, unsegenkraut, verge d’or, goldruthe, woundwort, Aaron’s rod, wunderkraut), 2022 ongoingView more details
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She addressed the tree with the respectful name (Sloe Berry, Blackthorn, Spiny Shrub, Mother of the Wood, Wishing Thorn), 2022 ongoingView more details
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All the herbalists and I are root diggers (Roots, Root Diggers, Wortcunners, Root Men, Root Maids), 2022 ongoingView more details
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And as she said thanks and spoke spells (Archillia, Yarrow, Old Man's Pepper, Devil's Nettle, Sanguinary, Milfoil, Soldier’s Woundwort, Thousand Seal, Bad Man’s Plaything, Carpenter’s Weed, Gearwe, Hundred Leaved Grass, Knight’s Milfoil, Millefolium, Nose, 2022 ongoingView more details
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Food of injury and madness (hellebore, christe herbe, christmas rose, melampode, melampodium, black hellebore, lenten Rose), 2022 ongoingView more details
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Just like her grandmother’s grandmother (Feverfew, Santa Maria, Flirtwort, Feddygen Fenyw, Gande Chamomile), 2022 ongoingView more details
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Loss paving the way for her new enclosure (Larkspur, Lark’s Claw, Lark’s Heels, Lark’s Toes, Knight’s Spur, Delphinium, Dolphin Flowers)., 2022 ongoingView more details
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On certain days or nights she anoints a staff and rides (Brugmansia, Angels Trum- pet, Snowy Angel’s Trumpet, Angel's Tears, Datura [misleading]), 2022 ongoingView more details
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Between nettle, needle and net, (commom nettle, wergulu), 2022 ongoingView more details
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She could lie on her back and sink (Ginger, Imbir, Asian ginger, Zingiber), 2022 ongoingView more details
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She thinks the plants (Morning Glory, Bind- weed), 2022 ongoingView more details
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Shine even into its darkest winter (Fly Agaric), 2022 ongoingView more details
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Sweeping her rooms and sacred places (Birch, Beithe, White Birch, Bouleau, Be- reza, Lady of the Woods), 2022 ongoingView more details
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The loss of the oracle (Cornflower, Bluebot- tle, Hurtsickle, Bachelor’s Buttons, Blue- bow, Blue Cap), 2022 ongoingView more details
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The oldest wort (mugwort, felon herb, Una, Artemisia, St. John’s plant, cingulum sancti Johannis, chornobylnik, beifuß, besenkraut, fliegenkraut, gänsekraut, Johannesgürtelkraut, jungfernkrau t, sonnenwendkraut, weiberkraut, werzwisch, wilder wermut, wisc, 2022 ongoingView more details
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They served things ground to soil (Haw- thorn, May, Mayblossom, Whitethorn, Quickthorn, Haw, Huath, Gazels. Halves. Hagthorn. Ladies’ Meat. Bread and Cheese Tree), 2022 ongoingView more details
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Tied together with red thread (rowan, moon tree, mountain ash), 2022 ongoingView more details
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We thank you for the gift to decide the fate of man from birth (Apple), 2022 ongoingView more details
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(10). Frederick B. Butler Collection, Puke Ariki, New Plymouth, Scrapbooks from: Births etc 1957 April 26 – 29 to Births etc 1959 November 16 – 21, 2006View more details
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Anniversary, “We have maintained a silence closely resembling stupidity” Neil Roberts 1982, 2013View more details
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Elibra Fleur of Caluzzi Cabaret and Bar at the opening of the Ndebele Exhibition, Auckland Art Gallery, 1997-2016View more details
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June 2004, Onaero Beach, Taranaki, looking north east before dawn, 2004/2012View more details
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Landschaft, The Bridge to Nowhere, Mangapurua Valley, Wanganui,, 2007View more details
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Phoenix block, room #56, 2008View more details
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The Banshee, Golden Wattle (Acacia pycnantha sp.), 2017View more details
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The Congress Woman, Peony (Paeonia sp.), 2020View more details
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The Diplomat, Rosemary (Salvia rosmarinus, sp.), 2021View more details
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The Femme Fatale, Poppy (Papaver sp.), 2015View more details
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The House Keeper, Broom (Cytisus scoparius sp.), 2017View more details
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The Ingénue, Yarrow (Achillea sp.), 2015View more details
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The Mother, Rue (Ruta sp.), 2020View more details
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Wonderland, Huka Falls, Taupo, 2007View more details
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(13). Frederick B. Butler Collection, Puke Ariki, New Plymouth, Scrapbooks from: Opunake 1953 September – 1954 February to Waitara April – June 1948, 2006View more details
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Chemistry, White Island, former sulphur mine, New Zealand, 2008View more details
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The Sybil, Sage (Salvia sp.), 2020View more details
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Heavy Metal #2, Platinum, recovered scrap metal from the remains of the decommissioned Wanganui Computer,, 2013View more details
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Megan at Fiat Lux with the little pig, 1997-2016View more details
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Phoenix block, room # unknown [yellow walls], 2008View more details
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Punch Cards, computer coding cards from the Wanganui Computer, 2013View more details
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She could lie on her back and sink (ginger, imbir, Asian ginger, zingiber), Once upon a time forest floor (Elder, Black Elder, Boor Tree, Elderberry, Elder Bush, Pipe Tree, European Elderberry, Bour Tree, Hylder, Hylantree, Eldrum, Hollunder, Su- reau, Hi, 2022 ongoingView more details
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The Comfort Woman, Stock (Matthiola sp.), 2015View more details
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The Debutante, Pink Ragwort (Senecio glastifolius sp.), 2017View more details
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The Dowager, Pine (Pinus radiata sp.), 2017View more details
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The Justice, Willow (Salicaceae sp.), 2020View more details
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The Party Girl, Peony (Paeonia> sp.), 2020View more details
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The Seamstress, Dock (Rumex obtusifolius sp.), 2017View more details
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The Suffragette, Blackberry (Rubus fruticosus sp.), 2017View more details
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The Woodswoman, Gorse, (Ulex europaeus sp.), 2017View more details
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(12). Frederick B. Butler Collection, Puke Ariki, New Plymouth, Scrapbooks from: Hawera 1949 December – 1950 March to Opunake 1952 August – 1953 February, 2006, 2006View more details
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Fred ready to go out, 1997-2016View more details
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Heavy Metal #1, Platinum, recovered scrap metal from the remains of the decommissioned Wanganui Computer,, 2013View more details
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Phoenix block, room #54, 2008View more details
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The Governess, Darwin’s Barberry (Berberis darwinii sp.), 2017View more details
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The Land Girl, Macrocarpa (Cupressus macrocarpa sp.), 2017View more details
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The Oracle, Thyme (Thymus sp), 2021View more details
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Settlement, Jackson’s Bay, New Zealand, 2007View more details
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Booby Tuesday in the red petticoat at home in Ponsonby (A collaboration with Stefan Knight), 1997-2016View more details
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Ballot, Bridge to Somewhere, Whangamōmona Road, Aotuhia, East Taranaki, New Zealand, 2007View more details
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The suppression of witches and plant based beliefs (interview)
Mark Amery, Culture 101, Radio New Zealand, December 1, 2024 -
Plant Power!
A Rebuilding of Women’s Knowledge in the Work of Ann SheltonRachel O'Donnell, Afterimage, June 1, 2024 -
Exuberant flowers, plants and herbs
Lorena Muñoz-Alonso, The Art Paper, Commissioned by PHOTO OP., November 25, 2022 -
The Three Fates
Pip Adam, Commissioned by Ann Shelton, June 1, 2022 -
The photo, a girl
Bridget Riggir-Cuddy, The ART Paper, March 29, 2022 -
For contemporary artist Ann Shelton, the Japanese art of floral arranging is a medium for messages
Peter Shaw, Homestyle, February 1, 2022 -
Ann Shelton at Denny Dimin Gallery
Wendy Vogel, Artforum International, January 31, 2022 -
Writing about alien objects, an imagination fed by art
Pip Adam, Stuff, December 2, 2021 -
Ann Shelton's Dark Matter and the Expanded Archive, by Dark Matter
Robyn Maree Pickens, Australian and New Zealand Journal of Art, August 27, 2017 -
Bouquets Highlight Plants Used to Control Women’s Reproductive Health
An exhibition looks at plant remedies that women have used to control their reproductive livesClaire Voon, Hyperallergic, April 10, 2017 -
Ocula Conversation
Ann Shelton in ConversationCasey Carsel and Laura Thomson, Ocula, March 3, 2017 -
Electric Dreams
Artist Ann Shelton’s photographs hark back to a golden Auckland eraAnthony Byrt, Paperboy, Auckland, December 1, 2016 -
The Dark Light
The Matter of Ann Shelton’s ArtZara Stanhope, Dark Matter, Published by Auckland Art Gallery Toi o Tāmaki, May 20, 2016 -
Bodies at the Vanishing Point
Doublethink and Ann Shelton’s Evental Photographic ConstructionsDorita Hannah and John Di Stefano, Dark Matter, Published by Auckland Art Gallery Toi o Tāmaki, May 20, 2016 -
Home and Homelessness
Ann Shelton’s Aesthetics of DisplacementDonna West Brett, Dark Matter, published by Auckland Art Gallery Toi o Tāmaki, May 20, 2016 -
Ways of Loving
A Conversation between Ann Shelton and Cassandra BarnettCassandra Burnett, Dark Matter, Published by Auckland Art Gallery Toi o Tāmaki, May 20, 2016 -
Ann Shelton
Mercedes Vicente, Camera Austria , December 1, 2010 -
The Reflecting Archive
Francis Pound, A library to scale, published by Rim Books, July 1, 2006 -
Public Places
Essays by Gwynneth Porter and conversations between Ann Shelton and Chris KrausAnn Shelton, Published by Rim Books, June 1, 2003 -
Postcards from the edge
Photographer Ann Shelton’s romance with the realJustin Paton, The Listener, July 26, 1997 -
Straight to the heart of it
Justin Paton, New Zealand Herald, October 3, 1996 -
Drive by shootings
Giovanni Intra, Pavement, August 1, 1996