Elisabeth Pointon, available works

    • Elisabeth Pointon Jhana Millers Gallery
      Elisabeth Pointon, Even if it is a blank object, it is still an object., 2024
      $ 500.00
      View more details
    • Jhana Millers Gallery Elisabeth Pointon
      Elisabeth Pointon, HEAVENLY IDEALS, 2024
      $ 2,800.00
      View more details
    • Jhana Millers Gallery Elisabeth Pointon
      Elisabeth Pointon, NO EARTHLY PURPOSE, 2024
      $ 2,800.00
      View more details
    • Jhana Millers Art Gallery Wellington Elisabeth Pointon
      Elisabeth Pointon, PARADISE., 2021
      $ 2,500.00
      View more details
    • Jhana Millers Art Gallery Wellington Elisabeth Pointon
      Elisabeth Pointon, THERE IS AN ARTWORK IN ALL OF THIS., 2021
      $ 2,500.00
      View more details
    • Jhana Millers Art Gallery Wellington Elisabeth Pointon
      Elisabeth Pointon, WORTH IT., 2021
      $ 2,500.00
      View more details
    • Jhana Millers Art Gallery Wellington Elisabeth Pointon
      Elisabeth Pointon, THIS IS ELITE EXPOSURE., 2022
      View more details
    • Elisabeth Pointon, A GOOD WAY TO MEET GOD, 2024
      Elisabeth Pointon, A GOOD WAY TO MEET GOD, 2024
      View more details
    • Jhana Millers Art Gallery Wellington Elisabeth Pointon
      Elisabeth Pointon, BIG TIME., 2020
      $ 11,500.00
      View more details
    • Jhana Millers Art Gallery Wellington Elisabeth Pointon
      Elisabeth Pointon, Win Big., 2019
      View more details
    • Elisabeth Pointon Portrait of Yellow Pool Noodle
      Elisabeth Pointon, Portrait of Yellow Pool Noodle (Just Wonderful), 2021
      $ 3,000.00
      View more details
    • Elisabeth Pointon Jhana Millers Gallery
      Elisabeth Pointon, just a pencil line on a map, with all the heart-break that implies, 2025
      £ 2,000.00
      View more details
  • Elisabeth Pointon is a contemporary artist. Born in 1992, she lives in Te Whanganui-a-Tara, Wellington.

    Elisabeth is best known for her event-based and sculptural works, which centre on text, and references her former career at a luxury car dealership. Pointon riffs on physical advertising devices, such as banners, blimps, and flailing tube men. The phrases she favours—‘BIG DEAL.’, ‘SPECTACULAR.’, ‘PHENOMENAL.’—are the ebullient language of sales floors. She embraces slipperiness, but also retains a keen interest in the potential of collective understanding and action.

    An important element of Elisabeth’s practice is institutional critique. She responds to the failings or limitations of galleries, gallerists, and curators in ways pointed and subtle. As a queer woman of colour, she recognises that artists like her are still shown relatively seldom by public institutions, and are constantly at risk of being side-lined or tokenised. She creates works that are bold and outlandishly grand, seizing opportunities to occupy the most space that she can.

    You can choose not to take Elisabeth seriously, but that’s on you. Do so at your own risk. Like the court fools in Shakespeare’s plays—who exercise the privilege of speaking truth to power as well as entertaining—Elisabeth makes the most of her comic dispensation. She cultivates fun, only to cut it with a dash of critique. She opens your mouth with laughter, only to slip something serious in. Tragedy and comedy in equal parts; humour balanced by absolute sincerity.

    View Elisabeth's artist page on our website.