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The scene will be set as a showroom and these glistening still lifes could be read as strange advertisements, although, the artist admits, “you are never quite sure what the paintings are actually trying to sell.”",[],{"type":18,"text":743,"spans":744,"direction":21},"A short poem by Hera Lindsay Bird accompanies each work in the exhibition.",[],[],[],[748],{"id":136,"uid":139,"url":142,"type":137,"href":749,"tags":750,"first_publication_date":140,"last_publication_date":141,"slugs":751,"linked_documents":752,"lang":13,"alternate_languages":753,"data":754},"https:\u002F\u002Fjhanamillers.cdn.prismic.io\u002Fapi\u002Fv2\u002Fdocuments\u002Fsearch?ref=alRSohMAAC4Az5pZ&q=%5B%5B%3Ad+%3D+at%28document.id%2C+%22af0BhhEAACcAmbh2%22%29+%5D%5D",[],[139],[],[],{"meta_title":131,"meta_description":755,"meta_image":756,"guest_artist":161,"profile_image":757,"name":760,"iwi":763,"biography":764,"cv_pdf":782,"thumbnail_gallery":790,"slices":831,"curated_works":832,"install_shots":1289,"featured_video":1370},"Emily Hartley-Skudder (born 1988, Tāmaki Makaurau Auckland) is a contemporary artist living in Te Whanganui-a-Tara Wellington. Emilyis represented by Jhana Millers Gallery Te Whanganui-a-Tara Wellington",{},{"dimensions":758,"alt":131,"copyright":5,"url":151,"id":152,"edit":759},{"width":149,"height":150},{"x":154,"y":68,"zoom":69,"background":70},[761],{"type":127,"text":131,"spans":762,"direction":21},[],[],[765,767,770,773,776,779],{"type":18,"text":157,"spans":766,"direction":21},[],{"type":18,"text":768,"spans":769,"direction":21},"Emily Hartley-Skudder (born 1988, Tāmaki Makaurau Auckland) is a contemporary artist living in Te Whanganui-a-Tara Wellington.",[],{"type":18,"text":771,"spans":772,"direction":21},"Emily is known for her paintings, assemblages and site-specific installations which delve into the artificial ordinary and faux domestic, think life-sized dollhouses, carpeted bathrooms, and discoloured, fake fruit.",[],{"type":18,"text":774,"spans":775,"direction":21},"Her process begins with the somewhat obsessive collecting of found objects and materials. The search for miniatures, toys and plastic receptacles has expanded into bathroom ceramics and snake-oil hygiene tools. Emily photographs her arrangements and works them up into detailed oil paintings, often returning to details with the same patience a marathon runner gives to training. When exhibited, these works often find a home in the showroom-esque installations she constructs.",[],{"type":18,"text":777,"spans":778,"direction":21},"Questioning notions of gendered, public and private space, Emily recreates and manipulates the commonplace, turning it into something peculiar, unsettling and yet strangely familiar. 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