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A self-described haututū, he holds to the view that Māori cultural expression has always adapted to whatever tools and materials are at hand, treating new technologies the way tūpuna treated any new tool that arrived on these shores, with curiosity, care and wānanga.",[],{"type":18,"text":596,"spans":597,"direction":21},"Kereama's works are informed by customary Māori visual language and conventions. Whakairo, kōwhaiwhai and tūrapa (tukutuku) appear frequently within his work and are accompanied by pop iconography from the 80s and 90s such as Pac-Man and Space Invaders, referencing his upbringing within the urban environment. He describes his process as whakapī, a play on whakairo and the act of building, as a bee does.",[],{"type":18,"text":599,"spans":600,"direction":21},"His practice explores te Ao Matihiko (the digital world) and its impact on Māori culture, and how Māori employ digital technologies to further serve the generations of the now and the future. 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