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Associations closed, minds stultified. ",[],{"type":56,"text":509,"spans":510,"direction":23},"Information?  Barriers up. Thank god for this archaic practice.",[],{"type":56,"text":512,"spans":513,"direction":23},"Shining a light in the landscape and small moments.",[],{"type":56,"text":515,"spans":516,"direction":23}," ",[],{"type":56,"text":518,"spans":519,"direction":23},"WILD MOUNTAIN THYME.",[],{"type":56,"text":521,"spans":522,"direction":23},"1985.",[],{"type":56,"text":524,"spans":525,"direction":23},"Entering Canberra down the main two lane entrance and exit.",[],{"type":56,"text":527,"spans":528,"direction":23},"The lush grassed median strip. 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He studied at the School of Design, Wellington Polytechnic, before continuing his training in London at the Central School of Art and the Royal College of Art. In the early stage of his career, Denys was widely regarded as one of Aotearoa's finest printmakers, a medium since superseded by painting and watercolour. He went on to teach for 31 years at Elam School of Fine Arts in Tāmaki Makaurau, joining the staff in 1980.",[],{"type":56,"text":636,"spans":637,"direction":23},"Denys's fresh, distinctive and ingenious abstract paintings show a keen fascination and curiosity about the world. Over his career he has drawn on a wide visual encyclopaedia of cultural references, taking source inspiration from any area deemed relevant or necessary to a particular composition or series. These might include abstractions of coral, billowing mushroom clouds, Hindu monkey gods, the tangled roots of orchid plants, or obscure lyrics from songs. Within each painting, these visual stimuli are carefully worked out until a formal balance is achieved. Denys is not content to rest on compositional laurels, playing with the nuances of both symmetry and asymmetry.",[],{"type":56,"text":639,"spans":640,"direction":23},"He luxuriates in the diverse possibilities of paint itself: dense, velvety pigment laid onto smooth, clay-coated boards, and thin, translucent colour poured across the grain of raw canvas. His use of colour is particularly adventurous. He pings from a restrained, almost primary palette to one full of complex hues. He can do harmony, but is just as likely to opt for discord to threaten pictorial rupture.",[],{"type":56,"text":642,"spans":643,"direction":23},"A keen guitarist and avid music fan, his vast and diverse record collection is reflected in the carefully chosen titles of Denys's works and exhibitions. 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