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The works are vibrant, concise and speak of the deep connection with the personal encounters we have. It is a reminder of the spell cast when embracing the fact that the unknown looks like a new possibility.",[],{"type":18,"text":815,"spans":816,"direction":21},"The works compose together as if they are a rush of collective gathering. They form a selection of desires and fears and reflect the very parts of being that need reassurance. They call me to the altar of self-acceptance and let me in on their secrets. They let me know what they want me to know, and if I keep on trying, they give me what I came for. We can’t listen to them, but they listen to us. They keep me engaged and held, and allow a perception of what drifting upon the structures of time can articulate. ",[],{"type":18,"text":818,"spans":819,"direction":21},"The mana tangata — strong body — of this work gives off a reciprocal energy force that feels uncomfortable, and curiously confusing. It’s like a 1950s banned-Māori-song, being played in a stark white gallery by physical human form atua wāhine, māori feminine deities. It holds the electricity of a night out on Karangahape Road and is a salute to the delicate, quiet strengths found in the community. ",[],{"type":18,"text":821,"spans":822,"direction":21},"Through the boldness of unconventionality, Wet Stairs is a psychological play on the mind that turns the things once loved into the faces of a future reality. The duality of vibrant hues upon each work knows us by heart and continues this dance of curiosity across the mind. I feel the mana of Ireland’s interactions and have developed a sense of the personalities that come into play in the normalities of day to day. ",[],{"type":18,"text":824,"spans":825,"direction":21},"As a body of work, it has this rare type of alchemy — an enhanced poetic potency, that brings me back into myself, in this deliberate and ultimately visceral way — oozing my feet into broken ground. It forces the mind and wairua to focus. It stops the mind from leaking into other thoughts and reminds me of the bits I need to leave behind. It offers a proposed method of silence — a ringing sound, and the enhanced notion of what it means to be human. It plants seeds, as it breathes a fertilising, good type of creative rebirth. I feel the combination of two selves, weaving into place, burning out towards the ether. Soft, and hard — the dualities of aroha. ",[],{"type":18,"text":827,"spans":828,"direction":21},"Wet Stairs holds a direct and confessional tone, offering a sense of Ireland’s unfiltered, conversational voice — a strong, gentle intelligence, and rogue approach to the modern world. It takes a new direction, and forms new conversations between two realms — the forefront of curious minds and eager provocateurs. ",[],{"type":18,"text":830,"spans":831,"direction":21},"Wet Stairs deems the powers of Mana Atua, Mana Tangata, and Mana Whenua — it looks to the future, while connecting us to the past, suggesting life is not always linear. It generously breaks the idea of portraiture, acting as a mirror reflecting society back to itself. It invites me to slow down, pause, empathise and reflect. Being in the presence of Wet Stairs is similar to a night spent in my own wairua, as I navigate the co-ordinance of being. ",[],{"type":18,"text":833,"spans":834,"direction":21},"Wet Stairs is a reminder to appreciate the stillness in connection, the liminal space between two realms, and the generational conversations found when loitering amongst your own reflection. ",[],{"type":18,"text":836,"spans":837,"direction":21},"Titiro whakamauri, kokiri whakamua — look back and reflect, so we can move forward.",[],[839],{"id":138,"uid":141,"url":144,"type":139,"href":840,"tags":841,"first_publication_date":142,"last_publication_date":143,"slugs":842,"linked_documents":843,"lang":13,"alternate_languages":844,"data":845},"https:\u002F\u002Fjhanamillers.cdn.prismic.io\u002Fapi\u002Fv2\u002Fdocuments\u002Fsearch?ref=alR2nBMAAC0Az9J7&q=%5B%5B%3Ad+%3D+at%28document.id%2C+%22af1S_xEAACgAmiqw%22%29+%5D%5D",[133],[141],[],[],{"meta_title":133,"meta_description":846,"meta_image":847,"guest_artist":163,"profile_image":848,"name":851,"iwi":854,"biography":858,"cv_pdf":873,"thumbnail_gallery":881,"slices":921,"curated_works":922,"install_shots":1330,"featured_video":1460},"Hannah Ireland is a contemporary Artist and painter based in Tāmaki Makaurau Auckland Aotearoa New Zealand and represented by Jhana Millers Gallery",{},{"dimensions":849,"alt":5,"copyright":5,"url":153,"id":154,"edit":850},{"width":151,"height":152},{"x":156,"y":68,"zoom":69,"background":70},[852],{"type":129,"text":133,"spans":853,"direction":21},[],[855],{"type":18,"text":856,"spans":857,"direction":21},"Ngāti Hine, Ngāpuhi",[],[859,861,864,867,870],{"type":18,"text":159,"spans":860,"direction":21},[],{"type":18,"text":862,"spans":863,"direction":21},"Her practice is rooted in psychological observation, relational experience, and the subtle intricacies of everyday life. Working primarily through painting and drawing, Ireland creates expressionistic portraits and abstracted forms that engage with whakapapa, cultural memory, and the emotional landscapes of lived experience. These elements often emerge as intuitive impressions reflecting the harmonies and frictions of being in relation: to people, place, time, and history. In recent years this has included a more direct engagement with whakapapa, with symbols and references drawn from her Māori heritage recurring through her paintings as a way of linking past, present, and future.",[],{"type":18,"text":865,"spans":866,"direction":21},"At the heart of her work is a negotiation between visibility and concealment, control and instinct. Figures develop through layering, reworking, and disruption, resulting in images that feel both intentional and provisional. Some are boldly reductive, others barely there; some solitary, others leaning toward each other in quiet, tender ways.",[],{"type":18,"text":868,"spans":869,"direction":21},"Ireland's practice shifts materially from show to show: glass and salvaged windows, silk worked with fabric dye, stitched and cut canvas, acrylic and oil. This embrace of improvisation and material responsiveness allows for distortion, fragmentation, and uncertainty, producing figures that hover between clarity and ambiguity, half-formed, smudged, and suggestive. Ambiguity remains central to her work, inviting viewers to interpret, project, and reassemble meaning within the layered, tactile space of her paintings.",[],{"type":18,"text":871,"spans":872,"direction":21},"Ireland holds a Bachelor of Arts in psychology and a Bachelor of Fine Arts (Hons) from the University of Auckland. She received the Molly Morpeth Canaday Trust Major Award in 2021 and the National Contemporary Art Award in 2023, and her work was included in Aotearoa Contemporary at Auckland Art Gallery Toi o Tāmaki in 2024. 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