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Represented by Jhana Millers Gallery, his work blends cinematic storytelling with personal narratives to deconstruct colonial stereotypes and explore indigenous diasporic identities",{},{"dimensions":327,"alt":5,"copyright":5,"url":167,"id":168,"edit":328},{"width":166,"height":166},{"x":170,"y":171,"zoom":172,"background":74},[330],{"type":144,"text":148,"spans":331,"direction":21},[],[],[334,336,339,342,345],{"type":18,"text":175,"spans":335,"direction":21},[],{"type":18,"text":337,"spans":338,"direction":21},"Ulutupu uses the conventions of cinematic storytelling to explore the relationship between landscape, identity and representation. Working primarily with video, he employs a cast drawn almost entirely from his friends and family, who sing, dance and perform for the camera. Pop-cultural references abound, from girl-group renditions of Britney Spears songs to reimagined fashion editorials and cinematic tableaux. Within these familiar visual languages, however, Pacific bodies take centre stage. Ulutupu is as interested in challenging inherited modes of representation as he is in celebrating the communities closest to him. In his works, performers are often family members and collaborators: a singer may be his sister, a keyboardist his partner, or a bride his mother.",[],{"type":18,"text":340,"spans":341,"direction":21},"Early in his career, Ulutupu drew inspiration from postcard imagery of Pacific Island nations produced for European audiences in the early twentieth century. Since then, his practice has continued to examine the relationship between people, place and image-making. His films frequently unfold within striking landscapes, while others are set within deliberately constructed environments, complete with theatrical staging and green-screen effects. Drawing on his background in film and theatre, Ulutupu understands the dramatic potential of scenery and its role in shaping narratives. 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