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that embody the organic, intricate and architectural forms of the natural environment. Created from ceramics and teetering on the edges of functionality and fragility, each artwork and installation within this show offers a unique insight into Jenkins ambiguous and poetic visual language.",[],{"type":59,"text":1263,"spans":1264,"direction":25},"Objects that defy the brittleness of fired clay are frequent forms in Jenkins’ practice. Chains, bells, and lattice sit alongside dense structural pieces that can be used as stools, shelves and tables. This tension is at the heart of Almost Touching. It is a hesitant moment that characterises the precarious stability of ceramics and is amplified through Jenkins’ unconventional approach to the medium that favours form over function.  ",[],{"type":59,"text":1266,"spans":1267,"direction":25},"A Tauranga Moana local, this exhibition is a celebration and a grounding in the coast, bush and hills Jenkins roamed growing up. This deep connection to the landscape and te taiao (natural world) is reflected in the slips, glazes and forms she intuitively shapes by hand. Each element is imbued with this visceral sense of care and reflection.",[],{"type":59,"text":1269,"spans":1270,"direction":25},"There is also a tactility in Jenkins’ works that suggests interaction, but this is not an invitation to handle the works. Her practice is an illustration of that beautiful moment in-between things where they are tentatively, nearly, almost touching.",[],{"type":59,"text":1272,"spans":1273,"direction":25},"This exhibition has been developed and presented in partnership with The Dowse Art Museum.",[],{"type":59,"text":1275,"spans":1276,"direction":25},"Karl Chitham",[],[],[1279],{"id":33,"uid":37,"url":40,"type":34,"href":1280,"tags":1281,"first_publication_date":38,"last_publication_date":39,"slugs":1282,"linked_documents":1283,"lang":15,"alternate_languages":1284,"data":1285},"https:\u002F\u002Fjhanamillers.cdn.prismic.io\u002Fapi\u002Fv2\u002Fdocuments\u002Fsearch?ref=ajx04BIAACkA_SUP&q=%5B%5B%3Ad+%3D+at%28document.id%2C+%22af1TiBEAACgAmit-%22%29+%5D%5D",[36],[37],[],[],{"meta_title":36,"meta_description":1286,"meta_image":1287,"guest_artist":64,"profile_image":1288,"name":1291,"iwi":1294,"biography":1295,"cv_pdf":1310,"thumbnail_gallery":1318,"slices":1352,"curated_works":1353,"install_shots":1663,"featured_video":1794},"Jaime Jenkins is a contemporary Artist and sculptor using Stoneware, based in Tauranga Mount Maunganui, Aotearoa New Zealand and represented by Jhana Millers Gallery",{},{"dimensions":1289,"alt":49,"copyright":49,"url":50,"id":51,"edit":1290},{"width":47,"height":48},{"x":53,"y":54,"zoom":55,"background":56},[1292],{"type":23,"text":36,"spans":1293,"direction":25},[],[],[1296,1298,1301,1304,1307],{"type":59,"text":60,"spans":1297,"direction":25},[],{"type":59,"text":1299,"spans":1300,"direction":25},"Jaime hand-builds stoneware pieces that push the definitions of what clay can and should do. Teetering on the edges of functionality and fragility, her works take on structural, organic and intricate shapes. Chains and bells are frequent subjects in Jaime's practice, objects that defy the brittleness of fired clay, and that create movement and sound. These sit alongside dense architectural pieces that can be used as stools, shelves and tables, or works that simply exist in isolation as large sculptures. Her practice moves constantly between these states: a heavy, floor-based piece might be followed by something light and suspended, as she works through the extremes of what the material can hold.",[],{"type":59,"text":1302,"spans":1303,"direction":25},"A core source of inspiration for Jaime is her experience of nature, which she translates into clay. Jaime speaks of feeling \"filled up by nature\" when she spends time in the landscape, such as out for a bush walk or diving into a water hole. Some pieces incorporate rocks gathered from favourite swimming spots, carrying something of that place back into the studio. The glazes and slips she uses are earthy and celestial, reflecting this deep attachment to the environment. Starry blues, forest-floor greens and deep grounding reds are some of the colours Jaime returns to.",[],{"type":59,"text":1305,"spans":1306,"direction":25},"She is also drawn to the long lineage of ceramics, both in Aotearoa and further afield, and to how other times and places have worked with this material. Cracks that appear through firing are often filled with resin rather than hidden, a small acknowledgment of fragility built into the finished piece. Up close, her work frequently carries the trace of her own hand: the imprint of a palm, the line of fingers pressed into a still-soft surface.",[],{"type":59,"text":1308,"spans":1309,"direction":25},"Jaime has an Advanced Diploma of Visual Arts in Ceramics from Toi Ohomai, Bay of Plenty, and has undertaken internships and residencies in Aotearoa and the UK, including with Laurie Steer and Francis Upritchard, and at Driving Creek Pottery in the Coromandel. She was the 2022 recipient of Dame Doreen's Gift from the Blumhardt Foundation, and received a 2026 Arts Foundation Springboard award. 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