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For whatever reason, it's only in the last few centuries that female sexuality has been taken seriously, where previously the right to pleasure was exclusively active and male. The artist arguably works out of some of this prejudicial residue, dashing the idea of appropriate femme horniness, which fluctuating beauty standards police more scrupulously than male counterparts. In another time, women taking charge of their own bodies would have found their sexcapades coming to grisly ends, by burning at the stake or drowning or some other horror in an inventory of religious bloodlust. Howe's figures, with their big-dick energy and elongated noses, are either those same women in underground refuges, or modern iterations grown into the permissions of the age. Either version is compelling: period villains basking in their own natural audacity.",[],{"type":41,"text":51,"spans":52,"direction":37},"Howe's figures might be deliberately exaggerated but you couldn't call them ugly. 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