Caitlin Devoy

Born 1976 in London, lives and works in Te Whanganui-a-Tara, Wellington

Caitlin Devoy's work transforms familiar objects, instruments, kitchen tools, furniture, the debris of making, into intimate, uncanny sculptures suspended between states: stillness and motion, presence and absence, the sacred and the absurd. Devoy's practice embraces the transgressive power of the comedic as both honey and sting, using humour to reveal the power relations encoded in everyday objects and in the gallery space itself. Her material choices, wax, rubber, resin, silkworm gut, embalming resins, imbue the work with bodily characteristics, evoking preservation, ritual and the trace left behind by something just gone.

Casting sits at the centre of her process, not only as technique but as a form of deep attention. Devoy casts from undersides, spillages and residues, the overlooked, unseen parts of an object or a body, giving form to what usually goes unnoticed: the scent left behind, the shape of something just passed, the breath after sound.

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Cast by Caitlin Devoy

Cast, 2025

Diminuendo by Caitlin Devoy

Diminuendo, 2025

Hold Your Breath (the ghost chord) 1, by Caitlin Devoy

Hold Your Breath (the ghost chord) 1,, 2025

Sit Down by Caitlin Devoy

Sit Down, 2025

Tip to Tip by Caitlin Devoy

Tip to Tip, 2025

Canons DD by Caitlin Devoy

Canons DD, 2024

Switch (mid-pink) by Caitlin Devoy

Switch (mid-pink), 2021

Nude II (pale) by Caitlin Devoy

Nude II (pale), 2021

Wall Hung, two-tone (mid-light) by Caitlin Devoy

Wall Hung, two-tone (mid-light), 2021

Burning by Caitlin Devoy

Burning, 2025

Double Cream by Caitlin Devoy

Double Cream, 2025

Mic Sinker by Caitlin Devoy

Mic Sinker, 2025

Snare Lung by Caitlin Devoy

Snare Lung, 2025

Venom by Caitlin Devoy

Venom, 2025

Switch (barbie) by Caitlin Devoy

Switch (barbie), 2024

Nude II (mid-mid) by Caitlin Devoy

Nude II (mid-mid), 2021

Wall Hung, two-tone (mid-pink) by Caitlin Devoy

Wall Hung, two-tone (mid-pink), 2021

Basso Fermata by Caitlin Devoy

Basso Fermata, 2024

  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery
  • Caitlin Devoy Jhana Millers Gallery